She is the "voice of her generation" and still doesn't know what to write. Sabine Hiebler and Gerhard Ertl don't film quite "real" life, but the status messages of Stefanie Sargnagel (Sargnagel) between white trash and reading stage, municipal building and pub. Hilde Dalik, Michael Ostrowksi and Voodoo Jürgens are also involved. Rating: "More authentic than the original!"
Heinzi Bösel, a petty bourgeois with a Pepita hat, and Kurt Fellner, a yuppie nerd, travel through the Austrian province in a battered Ford Taunus as inspectors of the hospitality and hotel industry. The two men, who couldn't be more different, gradually grow closer despite their seemingly incompatible personalities. What begins with hatred and bitterest hostility ends in deep, genuine friendship, which in the end withstands even death.
Preparations for a completely normal Mother's Day at the Neugebauers' in a run-down Viennese municipal apartment: But instead of an ordinary family celebration, a glimpse is taken into the abysmal depths and secrets of the Neugebauer family. The father cheats, the mother has a crush on her best friend's husband and goes stealing, the son is a closet lunatic, and the grandfather is a nuisance but doesn't want to go to a home.
Gerry Schartl, a Viennese car salesman, plans to go on vacation with his wife and daughter to an all-inclusive club. Dubious hints from his boss, the disappearance of his luggage, internal family disputes and, last but not least, the "overgrown Germans" in the club soon turn the dream vacation into a nightmare.
